n November 2024, ReRenaissance presents a concert dedicated to the work of Guillaume Du Fay, who died 550 years ago, on 27 November 1474.
He had an unusually long life and a career that spanned most of Western Europe. He was a great influencer for other musicians and his works continued to be disseminated and imitated long after his death.
Du Fay is best known for his monumental isorhythmic motets, but he also wrote astonishingly simple secular songs and everything in between. This programme demonstrates the breadth and depth of his talent across the full range of his works, concluding with his motet “Ave regina celorum”, which he meant to have sung on his deathbed.
Grace Newcombe – soprano, harp
Ivo Haun de Oliveira – tenor
Cyril Escoffier – tenor
Catherine Motuz – mezzo soprano, slide trumpet
Elizabeth Rumsey – viola d’arco
Tabea Schwartz – recorder, viola d’arco
Marc Lewon – lute, gittern
Baptiste Romain – vielle, rebec, bagpipes; direction
Free entry
Thanks to: Swisslos-Fonds Basel-Stadt
Tuesday, 26 November 2024 at 20:00
Stadtkirche Liestal – Rosengasse 1, 4410 Liestal
Free entry with collection
Thanks to: Basel-Landschaft Amt für Kultur und BKLB Stiftung Kultur & Bildung
(Please note that there is no parking available in the square near the church.)
Porträt eines Mannes mit einem blauen Chaperon, Jan van Eyck (c1430) © Brukenthal-Museum, Hermannstadt, Rumänien
Vlog July 2022 on “Du Fay” – A cappella!- Script and interviews: Didier Samson; Thumbnail, cutting and editing: Grace Newcombe
Concert recording July 2022
Why I’ll be there!
by DAVID FALLOWS
I well remember 1974, when we marked 500 years from the death of Guillaume Du Fay. Most of the recordings available back then were dismal; and I had a very hard time persuading anybody that he was a worthwhile composer. But in that year several people issued records of his music, not least David Munrow, whose version of the mass Se la face ay pale still stands as one of the most musically intelligent and compelling readings of any medieval music.
But since then Du Fay has done well. All his music has been recorded many times (with the sad exception of the hilarious but incompletely preserved Iuvenis qui puellam). But even so, a concert devoted to his music is a rare and special event. And I suspect nobody of our now regular audience needs telling that this is one that should not be missed. With an all-star cast directed by Baptiste Romain and led by Grace Newcombe and Ivo Haun we can expect a real feast. The programme aims to cover Du Fay’s entire life, starting from his early works written in Italy and ending with the antiphon Ave regina celorum that he wished to hear on his death-bed (but sadly did not, because the singers were otherwise engaged at the time).
And in the middle we hear part of the most stunning Du Fay discovery from the years since 1974, the mass for St Anthony of Padua, almost certainly written for the dedication of Donatello’s altar in the Paduan basilica of St Anthony. Given that the altar was dismantled fairly soon afterwards and nobody has been able to reconstruct it as it originally was, it is wonderful that we now have Du Fay’s mass.
Barfüsserkirche
Im 16. und 17. Jahrhundert konnten die Menschen nicht nur lesen, was in der Welt um sie herum geschah, sondern vor allem auch hören. Alle möglichen Nachrichten wurden von spezialisierten Druckern wie etwa dem Basler Johann Schröter auf den Markt gebracht, von Strassensängerinnen und -sängern auf der Gasse oder in der Beiz aufgeführt und als handliche Broschüre zum Mit- und Nachsingen an das Publikum verkauft. Solche Liedflugschriften sind ein bisher kaum beachtetes Newsgenre der Frühen Neuzeit, vor allem aber ein unglaublich reiches musikalisches Repertoire.
Barfüsserkirche
Historical Museum Basel
Haus zum Kirschgarten
Historisches Museum Basel
Basel, Martinskirche
