s early as the 15th century, it was customary at the Burgundian court to play originally sung chansons on the recorder. With his 1533 collection 27 Chansons musicales à quatre parties, music printer Pierre Attaingnant continued this tradition by designating selected pieces as particularly suitable for “la fleuste à neuf trous” – the recorder. In contrast to the vocal chansons, the programme also features danced solo galliards: fiery leaping dances likewise found in Attaingnant’s prints.
Hubert Hazebroucq – dance
Emma-Lisa Roux – lute, voice
Marc Pauchard – recorder
Mirko Schacht – recorder
Siri Löffel – recorder
Tabea Schwartz – recorder; direction
Free entry – Collection
Saturday, 30 May 2026, 18:15
Klosterkirche Dornach, Amthausstrasse 7, 4143 Dornach
Sunday, 31 May 2026, 18:15
Barfüsserkirche, Historisches Museum Basel
Sat Stadtkirche Liestal
Sun Barfüsserkirche, HMB
Sat Kirche Reigoldswil
Sun Barfüsserkirche, HMB
Sa Nydeggkirche, Bern
Su Barfüsserkirche, Historisches Museum Basel
Kirche Reigoldswil &
Barfüsserkirche Basel
Martinskirche
Basel
Barfüsserkirche
Historisches Museum Basel
